Photo Courtesy: nenow
Guwahati: Ratanpur hit screens on October 23, 2026. The film faced a brutal reality at the Kalpana Cinema Hall in Charaideo district. Only five people showed up for the final screening. This sparse turnout highlights massive failures in the promotion and distribution of modern Assamese cinema.
Directed by Kangkan Rajkhowa and produced by Sanjive Narain, the film explores the life of Bogi. She sells local liquor to support her autistic sister, Mira. Villagers condemn her for the trade while the men of the village continue to buy her product. The hypocrisy runs deep. Kamal and Ratul try to push back against these entrenched prejudices as the village demands the sisters be kicked out.
The acting anchors the story. Siddhartha Sharma shines as a henpecked husband battling night blindness. Amrita Gogoi delivers a raw performance as Bogi, while Snigdha Gogoi handles the role of Mira with care. The first half leans on humor, but the second half shifts into a dark, tragic examination of social ostracization. One viewer on BookMyShow dismissed the film, claiming that watching it amounted to a waste of two hours. That view ignores the grit of the performances and the weight of the social critique.
The plot avoids a clean finish. Rajkhowa denies the audience a standard resolution, forcing viewers to sit with feelings of helplessness. The film stares directly at the selective morality of rural life. It exposes the contradictions of those who participate in Bhaona rituals while simultaneously fueling the local liquor trade they claim to despise.
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